Solo Exhibitions:

1997    	Contemporary Arts Museum, Houston, Texas, "Lustmord", brochure

1996    	Kunstmuseum des Kantons Thurgau, Warth, "Lustmord", catalogue
		Völkerschlachtdenkmal, Leipzig, "Lustmord"
		Kunsthalle, Kiel, Germany, "Doppelt Haut
		Städtische Galerie Röhnitzgasse, Dresden, "Lustmord"

1995    	Williams College Museum of Art, Williamstown, MA, "Jenny Holzer: Laments"
       		Monika Sprüth Galerie, Cologne, Germany, "Lustmord"
        	Allentown Art Museum, Allentown, "Allentown Benches: Selections from the Truisms and Survival Series" Städtische Galerie, Dresden, "Lustmord"

1994    	Barbara Gladstone Gallery, New York, May 5 - June 30
        	Art Tower Mito, Mito Japan. Catalogue
        	Bergen Museum of Art, Bergen, Norway
        	Galerie Monika Sprueth, Cologne, Germany

1993    	St. Peters Church, Cologne, Germany
       		Haus der Kunst, Munich, Germany
        	Barry Whistler Gallery, Dallas, Texas
        	Dallas Museum of Art, Dallas Texas (Venice Installation)

1992    	Ydessa Hendeles Art Foundation, Toronto, Canada
        	Hammond Galleries, Lancaster, Ohio
        	The Claremont Graduate School, Claremont, California, "Selections from The Living Series: 1980-1982"
		North Dakota Museum of Art, Grand Forks, "Selections from The Living Series: 1980-1982"

1991    	Laura Carpenter Fine Art, Santa Fe, "Selections from  The Living Series: 1980-1982"
        	Louisiana Museum, Humlebaek, Denmark, "The Venice Installation"
        	Albright-Knox Art Gallery, Buffalo, New York, "The Venice Installation," Catalogue
        	Walker Art Gallery, Minneapolis, "The Venice Installation"

1990    	American Pavillion, 44th Venice Biennale, Venice, Catalogue Städtische Kunsthalle, Dusseldorf, "The Venice Installation"

1989    	Solomon R. Guggenheim Museum, NY, "Jenny Holzer," Catalogue
        	Doris C. Freedman Plaza, New York, "Benches", Sponsored by the Public Art Fund, Inc. 
        	Dia Art Foundation, New York, "Jenny Holzer: Laments  1988-89," Catalogue
        	Ydessa Hendeles Art Foundation, Toronto, "Jenny Holzer"

1988    	Institute of Contemporary Art, London, "Jenny Holzer: Signs/Under a Rock" (with outdoor installations in London and Belfast), Catalogue
       	 	Interim Art Gallery, London, "Plaques, The Living Series 1980-82, The Survival Series 1983-85"
        	MTV, New York, "Art Break" series initiated The Brooklyn Museum, Brooklyn, New York, "Jenny Holzer: Signs and Benches"
        	Winnipeg Art Gallery, Winnipeg, Canada
        	HoffmanBorman Gallery, Santa Monica, "Jenny Holzer"
        	Cleveland Center for Contemporary Arts, Cleveland,  "Redefining the Object"

1987    	Outdoor Installations, Hamburg, Germany
        	Rhona Hoffman Gallery, Chicago, "Jenny Holzer: Under a Rock"

1986    	Barbara Gladstone Gallery, New York, "Under a Rock",  October 7 - November 1
        	Des Moines Art Center, Des Moines, "Jenny Holzer: Signs", Travelled to Aspen Art Museum, Aspen; Artspace, San Francisco; Museum of Contemporary Art, Chicago; The List Visual Arts Center at Massachusetts Institute of Technology, Cambridge, Catalogue
        	"Protect Me from What I Want," outdoor/indoor installations, Las Vegas, organized by Nevada Institute for Contemporary Art, University of Nevada, Las Vegas.
        	Installations at Caesar's Palace, Thomas Mack Sports Center, Fashion Show Mall, and Micro Plus in Las Vegas.
        	Galerie Crousel-Hussenot, Paris, "Jenny Holzer"
        	Palladium, New York, "Electronic Sign Project"
        	Am Hof, Vienna, "Keith Haring - Jenny Holzer: Protect Me from What I Want," Brochure
        	Israel Museum, Jerusalem, "Jenny Holzer/Barbara Kruger"
        	Contemporary Arts Center, Cincinnati, "Jenny Holzer, Cindy Sherman: Personae," Catalogue
        	Galerie Monika Sprueth, Cologne, Germany, "Jenny Holzer"

1985   		Times Square Spectacolor Board, New York, "Selections from the Survival Series"

1984   		"Sign on a Truck: A Program by Artists and Many Others on the Occasion of the Presidential Election," outdoor installations at Grand Army Plaza and Bowling Green Plaza, New York
        	Dallas Museum of Art, Dallas, "Jenny Holzer," Brochure
       	 	Kunsthalle, Basel, "Jenny Holzer," Catalogue traveled to Le Nouveau Musée, Villeurbanne, France
        	University Gallery, University of Massachusetts at Amherst
        	Bus Shelter, 66th and Broadway, New York.
        	Amelie A. Wallace Gallery, State University of New York,
        	Old Westbury, Long Island, "Jenny Holzer: Truisms and Inflammatory Essays"

1983    	Barbara Gladstone Gallery, New York, "Survival Series", November 5 - December 1
		Lisson Gallery, London, "Jenny Holzer with A-One, Mike Glier, and Lady Pink: Survival Series"
        	Institute of Contemporary Art, London, "Essays,  Survival Series"
        	Institute of Contemporary Art, University of Pennsylvania, Philadelphia, "Investigations 3: Jenny Holzer"

1982    	Barbara Gladstone Gallery, New York, "Plaques for Buildings: 30 Texts from The Living Series, cast in bronze by Jenny Holzer and Peter Nadin", April 28 - May 22
        	Rotterdam Kunststichting, Galerie 't Venster, Rotterdam, "Electronic Signs"
       		Times Square, New York, "Messages to the Public"
        	Seattle Art Museum, Seattle, "Poster Project"
        	Cranbrook Museum, Bloomfield Hills, Michigan
        	Marine Midland Bank, 140 Broadway, New York, "Art Lobby"
        	Galerie Chantal Crousel, Paris, "Jenny Holzer - Peter Nadin: Living"
        	A Space, Toronto, "Poster Project"
        	American Graffiti Gallery, Amsterdam
        	Artists Space, New York

1981    	Museum fur (Sub) Kultur, Berlin, "Living" (with Peter Nadin)
        	Le Nouveau Musee, Villeurbanne, France, "Living" (with Peter Nadin)
        	Artists Space, New York, "Eating Friends"  (with Peter Nadin)

1980    	Rudiger Schottle Gallery, Munich, "Living"  (with Peter Nadin)
        	Onze Rue Clavel Gallery, Paris, "Textes Positions" (with Peter Nadin)

1979    	Printed Matter, New York, "Printed Matter Window"
        	Fashion Moda, Bronx, "Fashion Moda Window"

1978    	Franklin Furnace, New York, "Jenny Holzer Installation"
        	Institute for Art and Urban Resources at P.S. 1, Long  Island City, New York, "Jenny Holzer Painted Room:  Special Project P.S. 1"

Group Exhibitions:

1997    	Washington State University, Museum of Art, "The Electronic Muse"
		Städtische Galerie Nordhorn, Nordhorn, Germany, "Skulpturenweg"
        	Martin-Gropius-Bau, Berlin, Germany, "The Age of Modernism - Art in the 20th Century"
        	Joseph Helman Gallery, "Allegory", catalogue
        	Ubu Gallery, New York, "One-Line Drawing"

1996    	Frith Street Gallery, London, "From Figure to Object: a Century of sculptor's drawings"
        	Claudia Gian Ferrari Arte Contemporanea, Milano, Italy, "Nudo & Crudo, La sessualità e il corpo nell'arte contemporanea"
        	Musées de Marseille, France, "Art Embodied"
        	Guggenheim Museum Soho, New York, "Mediascope"
        	Museum of Modern Art, New York, "Thinking Print"
        	Biennale di Firenze, Italy, "Il Tempo e la Moda"
        	Albright College, Center for the Arts, Freedman Gallery, Pennsylvania, "20/20: The Visionary Legacy of Doris Chanin Freedman"
        	Louisiana Museum of Modern Art, Denmark, "Nowhere"

1995   		Caldic Collection, Rotterdam, "A Collection: Sculptures"
        	Center for the Arts, Wesleyan University, Middletown, "Laughter Ten Years After", traveling to Hobart and  William Smith Colleges, Geneva, NY (1996)
        	Centre Georges Pompidou, "Féminin-Masculin: Le Sexe de  l'art"
        	The Aspen Art Museum, "Contemporary Drawing: Exploring the Territory"
        	Dong Ah Gallery, Seoul, Korea, "Body and Technology: International Technology Art"
        	Le Printemps de Cahors, Photographie et Arts Visuels, Boulogne, France
        	Louisiana Museum of Contemporary Art, Denmark, "Walking and Thinking and Walking"
        	Museum of Modern Art, Heide, Melbourne, Australia, " In Five Words or Less"
        	University Art Museum, Berkeley, Ca, "In a Different Light", Catalogue +ill.
        	ARS 95 Helsinki, Museum of Contemporary Art, Finland
        	Galerie Valleix, Paris, "La Galerie Est Devenue Rose"
        	Stuart Collection: University of California, San Diego.

1994    	Institute of Contemporary Arts, London, England, "The Institute of Cultural Anxiety - Works from the Collection"
        	Lenbachhaus, München, Germany, "Rosebud"
        	Adam Baumgold Fine Art, New York, NY, "Sex"
        	Neuberger Museum of Art, NY, "Translucent Writings"
        	Sogetsu Plaza, Sogetsu Kaikan, Japan, "Tradition and Invention - Contemporary Artists interpret the Japanese Garden", Catalogue + ill.
        	ICI, New York, "Transformers", Traveling Exhibition, Cat.
        	Kunsthalle Basel, Basel, "World-Morality", Catalogue pp.60-63
        	Kunsthallen Brandts Klaedefabrik, Odense, Denmark, "Dialogue with the Other", Catalogue + ill.
        	Städtische Galerie Nordhorn, "Black Garden". Catalogue +ill.
        	Adlercreutz-Bjorkholmen, Stockholm, "Many Dogs run Wild"
        	Culturecenter 'Spielboden', Austria, "Übersättigung und Agonie"

1993    	Guggenheim Museum, SoHo, NY.  "Virtual Reality: An Emerging Medium", 2 interactive VR projects.
        	Fairfield University, Fairfield, Conn., "Don't Ask, Don't Tell, Don't Pursue"
        	Kunsthalle Vienna, Vienna, "The Language of Art", travelling 42nd St. Art Project. Sponsored by Creative Time, NY
        	Zeitgeist-Gesellschaft Martin Gropius Bau, Berlin. "American Art in the 20th Century", catalogue. Traveled to Royal Academy of Arts, London Ujazdowski Castle, Warsaw, Poland
        	Exit Art, NY, "1920, The Subtlety of Subversion, The Continuity of Intervention."
        	Brooke Alexander Editions, NY, "Sculpture & Multiples" Calder Collection, Rotterdam

1992    	Barbara Gladstone Gallery, New York, "c. 1980.", January 18 - February 22
        	Kunst und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, "Territorium Artis", catalogue
        	Rhona Hoffman Gallery, Chicago. "Functional Objects By Artists and Architects.
        	Modernism Gallery, SF. "Beyond Just Words"
        	Museum Ludwig, Cologne, Germany, "Ars Pro Domo", Wilfried Dickhoff curator, catalogue
        	Tramway, Scotland, "NY AIDS Polemic: Read My Lips"
        	Kunsthalle and Kunstmuseum Basel, Switzerland, "transForm: BildObject Skulptur in 20. Jahrhundert", catalogue
        	Kukje Gallery, Seoul, Korea, "Words", catalogue
        	Museum of Modern Art, New York, "Allegories of Modernism: Contemporary Drawing," catalogue
        	World Financial Center, NY, "Cross Section"
        	Coup de Grace Gallery, NY, "Words"
        	Hayward Gallery, London, "Doubletake: Collective Memory and Current Art," catalogue
        	The James Howe Gallery, Kean College of New Jersey, New Jersey, "Word-Images," catalogue
        	Galerie de Poche, Paris, "Neons & Signs"

1991    	Walter Gropius Bau, Berlin, "Metropolis," catalogue
        	Centraal Museum, Utrecht, The Netherlands, "Night Lines"
        	Centraal Museum, Utrecht, The Netherlands, "The Words and the Images," catalogue
			Indianapolis Museum of Art, Indianapolis, "Power: It's Myths, Icons, and Structures in American Art, 1961-1991," catalogue. Traveled to Virginia Museum of Fine Arts
        	Wright State University, Dayton, Ohio, "Words & #'s" cat.
        	Institute of Contemporary Art, Philadelphia, "Devil on the Stairs: Looking Back on the Eighties", catalogue
        	Serpentine Gallery, London, "Objects for the Ideal Home", catalogue Setagaya Art Museum, Tokyo, "Beyond the Frame:  American Art 1960-1990,"catalogue. Travelled to National Museum of Art, Osakajand Fukuoka Art Museum, Fukuoka
        	San Jose Museum of Art, "Compassion and Protest:  Recent Social and Political Art from the Eli Broad Family Foundation Collection," Catalogue John Weber Gallery, NY "The Political Arm," catalogue
        	Brooke Alexander Editions, NY "Poets/Painters  Collaborations."
        	Anne Plumb Gallery, New York, "Show of Strength-A sale of works by today's outstanding women artists in support of Madre"
        	Galerie Metropol, Vienna, Austria, "The Picture After the Last Picture", catalogue
        	Andrea Rosen Gallery, New York, "Video Library"
        	Paula Cooper Gallery, New York, "Act-Up Benefit Art Sale"
        	Frankel Gallery, San Francisco, "In a Dream"
        	Real Art Ways, Connecticut, "The Fetish of Knowledge"
        	International Center of Photography, NY, "... Speechless Text/Image Video"

1990    	The Museum of Modern Art, New York, "High & Low: Modern Art and Popular Culture," Catalogue. Traveling to the Art Institute of Chicago and the Museum of Contemporary Art, Los Angeles
        	Stedelijk Museum, Amsterdam, "Energieen,"  Catalogue
        	The New Museum, The Studio Museum, and MoCHA, New York, "The Decade Show: Frameworks of Identity in the 80's," Catalogue
        	The Israel Museum, Jerusalem, "Life-Size: A Sense of the  Real in Recent Art," Catalogue
        	Milwaukee Museum of Art, Milwaukee, "Word as Image - American Art 1960-1990," Catalogue. Traveled to Oklahoma City Arts Museum and Contemporary Arts Museum, Houston
        	Wiesbaden Museum, West Germany, "Positions of Art in the 20th Century" Art Institute of Chicago, "Affinities - The Gerald S. Elliot Collection," Catalogue
        	Hirshhorn Museum and Sculpture Garden, Washington, DC, "Culture and Commentary - An Eighties Perspective"
        	Fundacio Caixa de Pensions, Barcelona, "Timespan," Catalogue
        	Long Beach Museum of Art, Long Beach, California, "Video Poetics," Catalogue ("Televised Texts" aired on KCOP-TV, Los Angeles, May 14-18, 1990)
        	Hallwalls, Buffalo, New York, "Insect Politics: Body Horror/ Social Order," Catalogue
        	La Fondation Electricite de France, Paris, "Nature (Artificielle)," Catalogue
        	Haggerty Museum of Art, Marquette University, Milwaukee, "Images of Death in Contemporary Art," Catalogue
        	Wessel O'Connor, Ltd., New York, "The Power of Childhood"
        	Barbara Krakow Gallery, Boston, "Constructive Anger"
        	Grande Galerie, Centre Georges Pompidou, Paris, France, "Art & Publicite 1890-1990," Catalogue.
        	Aldrich Museum of Contemporary Art, CT, "Language in Art"

1989    	Paleis voor Schone Kunsten, Brussels, "Wittgenstein - The Play of the Unsayable," Catalogue
        	Whitney Museum of American Art, New York, "Image World - Art and Media Culture," Catalogue
        	The Museum of Contemporary Art, Los Angeles, "A Forest of Signs: Art in the crisis of representation," Catalogue
        	Museum am Ostwall, Dortmund, Germany, "In Other Words -Wort und Schrift in Bildern der Konzeptuellen Kunst, Catalogue
        	Galerie 't Venster, Rotterdam, "Clever Innocence - Hans-Peter Feldman, Bill Woodrow, Jenny Holzer"
        	Albany Institute of History and Art, Albany, New York, "The Presence of Absence - New Installations"
        	Cincinnati Art Museum, Cincinnati, "Making their Mark: Women Artists Move into the Mainstream, 1970-85"
        	Kunstverein in Hamburg, Hamburg, "D & S Ausstellung," Catalogue
        	"Hamburg Projekt 1989: Kunstler realisieren Arbeiten im offentlichen Raum/Kulturbehorde Hamburg," Outdoor Electronic Installation, Catalogue
        	Tony Shafrazi Gallery, New York, "Words"
        	Gallery 400, The University of Illinois at Chicago, "The Presence of Absence- New Installations"
        	Carleton Art Gallery, Carleton College, Northfield, Minnesota, "What Does She Want?: Current Feminist Art  from the First Bank Collection"
        	Madison Art Center, Wisconsin, "Coming of Age"
        	Esther Schipper, Cologne, "Genetics"
        	Walker Art Center, Minneapolis, "First Impressions: Early Prints by Forty-Six Contemporary Artists"
        	Art Gallery of Ontario, "International Contemporary Art: Selected Recent Acquisitions and Promised Gifts"
        	Collett Art Gallery, Weber State College, Ogden, Utah, "Recent Acquisitions"
        	Monika Spruth Galerie, Cologne, "Scripta Manent - Verba Volant"
        	Leo Castelli Gallery, New York, "Golden Opportunity: Benefit Exhibit for the Resettlement of Salvadoran Refugees"

1988    	Third Eye Centre, Glasgow, "Camouflage," Catalogue
        	The Guiness Hop Store and The Royal Hospital, Dublin, "ROSC '88," Catalogue
        	Whitney Museum of American Art Downtown at Federal Plaza, New York, "Modes of Address: Language in Art Since 1960"
        	Wembley Stadium, London, "Nelson Mandela 70th Birthday Tribute"
        	Lorence Monk Gallery, New York, "Lifelike"
        	Art Gallery of New South Wales, Sydney, and Pier 2/3, Walsh Bay, "1988 Australian Bienniale: From the Southern  Cross, A View of World Art c.1940-88," Catalogue
        	Point State Park, Three Rivers Arts Festival, Pittsburgh, "Sculpture at the Point," Catalogue
        	Milwaukee Art Museum, Milwaukee, "1988: The World of Art Today"
        	Boca Raton Museum of Art, Florida, "After Street Art"
        	Bank of Boston, Boston, "The Multiple Object: European and American Sculptural Works Made in Editions"
        	Sidney Janis Gallery, New York, "60s/80s: Sculpture Parallels"
        	R. C. Erpf Gallery, New York, "Private Works for  Public Spaces"
        	The Museum of Modern Art, New York, "Committed to Print: An Exhibition of Recent American Printed Art with Social and Political Themes," Catalogue Storefront for Art and Architecture, New York, "Temporary Public Art: Changes and Interventions
        	Scott Hanson Gallery, New York, "MEDIA POST MEDIA," Catalogue

1987    	Jeffrey Linden Gallery, Los Angeles
        	Franklin Furnace, New York, "Melee"
        	Monika Spruth Galerie, Cologne
        	Galerie Crousel-Robelin, Paris, "Jenny Holzer, Louise Lawler, Ken Lum"
        	Fay Gold Gallery, Atlanta, "Hard Work"
        	Le Case d'Arte, Milan
        	U-Media, Umea, Sweden, "Internationell Mediakonst," Catalogue
        	St. Louis Gallery of Contemporary Art, "At Issue: Art and Advocacy," Brochure
        	Everson Museum of Art, Syracuse, New York, "Computers in Art," Catalogue
        	Suermondt-Ludwig Museum, Aachen, "Room Enough," Catalogue
        	Amsterdam, "Century '87: Today's Art Face to Face with Amsterdam's Past," Catalogue
        	The Bourse, Philadelphia, "Independence Sites: Sculpture for Public Spaces," Catalogue
        	The Montreal International Centre of Contemporary Art, Montreal, "20 Artists 20 Stations"
        	Spirit Square Center for the Arts, Charlotte, North Carolina, "Romance," Catalogue
        	Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, Munster, "Skulptur Projekte in Munster," Catalogue
        	Museum Fridericianum, Kassel, West Germany, "Documenta 8," Catalogue
        	Musee National d'Art Moderne, Centre Georges Pompidou, Paris, "l'epoque, la mode, la morale, la passion"
        	Holman Hall Art Gallery, Trenton State College, New Jersey, "Word and Image," Cat.
        	Yale University Art Gallery, New Haven, "Contemporary American Artists in Print," Brochure
        	Hillwood Art Gallery, C.W. Post Campus, Long Island University, Brookville, New York, "Perverted by Language," Catalogue
        	White Columns, New York, "Resistance (Anti-Baudrillard)"
        	Nine-One-One Contemporary Arts Center, Seattle, "Artist with Public Voice"
        	Only in America Festival, Philadelphia, "Independence Sites:Sculpture for Public Spaces"

1986    	Centro Cultural de la Fundacio Caixa de Pensiones, Barcelona, "Art and Its Double: A New York Perspective,"  Catalogue
        	Holly Solomon Gallery, New York, "Text and Image: The  Wording of American Art"
       	 	San Francisco Camerawork, San Francisco, "Products and Promotion: Art, Advertising, and the American Dream," traveling, Catalogue
        	The Freedman Gallery, Albright College, Pennsylvania, "The First Decade"
         	Museum Ludwig, Cologne, "Europa/Amerika"
       	 	Arnhem, "Sonsbeek: International Sculpture Exhibition"
        	Centro Cultural Arte Contemporaneo, Mexico, "Memento Mori"
        	Public Access, Toronto, Canada
        	Hannover Messe, Hannover, "artware," Catalogue
        	Kent Fine Art, New York, "Reality Remade," Catalogue
        	Metro Pictures, New York
        	Städtische Kunsthalle Dusseldorf, Dusseldorf, "A Different Climate," Catalogue

1986    	Frankfurter Kunstverein and Kunsthalle Schirn, Frankfurt, "Prospekt 86: Eine Internationale Ausstellung Aktueller Kunst," Catalogue
            Castello dell'Ovo, Naples, "Rooted Rhetoric: Una Tradizione nell'Arte Americana," Catalogue
        	The Corcoran Gallery of Art, Washington, D.C., "In Other Words," Catalogue
        	Art Gallery, Fogelson Library Center, College of Santa Fe,  "Tuning In"
        	North Gallery, University of New Mexico Art Museum,  Albuquerque, "Subversive Acts: Artists Working with the Media Politically"
        	Telluride Ideas Festival, Telluride, Colorado, "Political Art Now!"
        	Rennes, "Festival des Arts Electroniques," Catalogue

1985    	Institute of Contemporary Art, Boston, "Dissent: The Issue of Modern Art in Boston, The Expressionist Challenge," Catalogue
        	Nexus Contemporary Art Center, Atlanta, "The Public  Art Show," Catalogue Musee d'Art Contemporain de Montreal, Montreal,  "Ecrans Politiques," Catalogue
        	Galerie Monika Spruth, Cologne, "Eau de Cologne II"
        	Museum of Art, Carnegie Institute, Pittsburgh,  "1985 Carnegie International," Catalogue
        	Islip Art Museum, East Islip, New York, "Writing on the Wall"
        	Barbara Gladstone Gallery, New York, "Social Studies"
        	The New Museum of Contemporary Art, New York, "Signs"
        	Galeries Nationales du Grand Palais, Paris, "Nouvelle  Biennale de Paris," Catalogue
        	Milwaukee Art Center, Milwaukee, "Currents 7:  Words in Action"
        	Los Angeles Institute of Contemporary Art,  "Secular Attitudes," Catalogue
        	Whitney Museum of American Art, New York,  "1985 Biennial Exhibition," Catalogue
        	Thomas Segal Gallery, Boston, "Technics and Civilization - Laurie Anderson, Jenny Holzer, and Cindy Sherman"
        	Goldie Paley Gallery, Moore College of Art, Philadelphia, "Memento Mori," Catalogue
        	292 Lafayette Street, New York, "Rain Dance"
        	Lawrence Gallery, Rosemont College, Rosemont, Pennsylvania
        	Bard College, Annandale-on-Hudson, New York
        	Michael Klein Gallery, New York
        	Museum Moderner Kunst/Museum des 20 Jahrhunderts, Vienna, "Kunst mit Eigen-Sinn," Catalogue
        	Sushi Gallery, San Diego, "Neofest"
        	P.S. 1, Long Island, City, "El Arte Narrativo"

1984    	Knight Gallery, Spirit Square Art Center, Charlotte, North Carolina, "HOLZER KRUGER PRINCE," Catalogue
        	Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., "Content: A Contemporary Focus  1974-1984," Catalogue Städtische Kunsthalle, Dusseldorf, "A Different Climate: Aspects of Beauty in Contemporary Art," Catalogue
        	San Francisco Museum of Art, "The Human Condition:  Biennial III," Catalogue
       	 	Amerika Haus, Berlin, "Women of Influence"
        	Art Gallery of New South Wales, Sydney, and Ivan Dougherty Gallery, Paddington, "The Fifth Biennale of Sydney, Private Symbol: Social Metaphor," Catalogue
        	Gallerie Engstrom, Stockholm, "1984: Women in New York"
        	Institute for Art and Urban Resources at P.S. 1,Long Island City, New York, "Time Line"
        	Indianapolis Museum of Art, Indianapolis, "Painting and Sculpture Today"
        	Musee d'Art Moderne de la Ville de Paris, Paris, "New York-Ailleurs et Autrement," Catalogue
        	De Appel, Amsterdam, and Gewad, Ghent, "Jenny Holzer, StephenPrince, Mark Stahl, Christopher Williams," Catalogue
        	Arts Cultural Resource Center, Toronto, "The Revolutionary Power ofWomen's Laughter"
        	Cologne Art Fair, Cologne, "Szene New York," Catalogue
        	Dart Gallery, Chicago, "Night Lights"
        	Holly Solomon Gallery, New York, "Assemblages: Ten Artists Put TenObjects to Good Use"
        	Gallery 345, Art for Social Change, New York, "Hunger for Words"
        	Duke University Museum of Art, Durham, North Carolina, "Duke x Nine"
        	Museo Rufino Tamayo, Mexico City, "La Narrativa  Internacional de Hoy"
        	Galerie Tanja Grunert, Stuttgart, "Idea," Catalogue
        	Sidney Janis Gallery, New York, "American Women Artists/Part II:Younger Generation," Catalogue
        	Artists Space, New York, "10th Anniversary Exhibition"
        	Galleria d'Arte Moderna, Bologna, "Frontier Art"
        	Bard College, Annandale-on-Hudson, New York, "Art as Social Conscience"
        	Bernice Steinbaum Gallery, New York, "1+1=2"
        	Contemporary Arts Center, Cincinnati, "Disarming Images: Art for Nuclear Disarmament"
        	Tower Gallery, New York, "Body Politic"
        	Fayerweather Gallery, University of Virginia, Charlottesville, "United States"

1983    	Fine Arts Museum of Long Island, Hempstead, New York, "WrittenImagery Unleashed in the 20th Century," Catalogue
        	Greenville County Museum of Art, South Carolina, "From the Streets"
        	Stedelijk Van Abbemuseum, Eindhoven, "Walter Dahn, Rene Daniels,Isa Genzken, Jenny Holzer, Robert Longo, Henk  Visch," Catalogue
        	Institute of Contemporary Art, Boston, "Currents"
        	Allen Memorial Art Museum, Oberlin College, Ohio, "Art and SocialChange, U.S.A.," Catalogue
        	Whitney Museum of American Art, New York,  "1983 Biennial Exhibition," Catalogue
        	Musee des Beaux-Arts de Dijon, France, "Présence Discrète"
        	Barbara Gladstone Gallery, New York, "State of the Art - The New Social Commentary"
        	Pittsburgh Center for the Arts, "Urban Pulses"
       	 	Protetch/McNeil, New York, "The Revolutionary Power of  Women's Laughter"
        	White Columns, New York, "Artist/Critic"
        	The Kitchen, New York, "Persuasions"
        	Bonner Kunstverein, Bonn, "Ansatzpunkte Kritischer Kunst Heute"
        	Young Hoffman Gallery, Chicago
        	Ronald Feldman Gallery, New York, "1984 - A Preview," Catalogue
        	54 rue Boussingault, Paris, "A Pierre et Marie"
        	Marian Goodman/Multiples, New York, "Valentine Show"
        	Institute of Contemporary Art, Philadelphia, "Investigations,"


1982    	Museum Fridericianum, Orangerie, and Neue Galerie, Kassel, WestGermany, "Documenta 7," Catalogue
        	University Art Gallery, State University of New York at Binghamton,"Nine Women Artists"
        	Le Nouveau Musee, Lyon
        	Art Institute of Chicago, "74th American Show," Catalogue
        	Young Hoffman Gallery, Chicago, "A New Sensibility"
        	Museum of Modern Art, Art Lending Service, "Sports"

1981    	Annina Nosei Gallery, New York, "Public Adresses"
        	Brooke Alexander Gallery, Inc., New York,  "Represent, Representation, Representative"
        	Museen der Stadt Koln and Messegelande Rheinhallen, Cologne, "Heute, Westkunst: Zeitgenossische Kunstseit 1939," Catalogue
        	Chrysler Museum, Norfolk, Virginia, "Crimes of Compassion,"  Catalogue
        	Mudd Club, New York, "Beware of the Dog"
        	The Kitchen, New York, "Pictures and Promises and Pictures Lie"

1980    	Abandoned Building, 41st Street and 7th Avenue, New York, "TheTimes Square Show"
       	 	Brooke Alexander Gallery, Inc., New York, "Collaborative ProjectsPresents a Benefit Exhibition at Brooke Alexander, Inc."
        	Institute of Contemporary Art, London, "Issue: Social Strategies byWomen Artists"
        	Lisson Gallery, London, "14 New Artists"
        	"Project Grand Central," New York
        	112 Workshop, New York, "The Offices"
        	Anna Leonowens Gallery, Halifax, "The Offices"
        	Kunsthaus Zurich, Zurich, and Staedtische Galerie
        	Lenbachhaus, Munich, "New York Video"
        	Franklin Furnace, New York, "Vigilance"
        	David Amico Gallery, Los Angeles, "Pleasure/Function"

1979    	5 Bleecker Street, New York, "Income and Wealth Show" and "Manifesto Show"
        	591 Broadway, New York, "Doctor and Dentist Show"
        	Arts Festival of Parma, Parma
        	David Amico Gallery, Los Angeles, "Works by Nine Artists"
        	"Show/515 Broadway," New York

1978    	Los Angeles Institute of Contemporary Art, Los Angeles, "ARTWORDS AND BOOKWORKS: An international exhibition of recent artists' books and ephemera"

Special Projects / Commissions:

1995    	Erlauf, Austria, Peace Memorial.  A vertical, hexagonal granite column with a fixed searchlight directed vertically, texts inscribed in granite paving stones, white flower and foliage plantings surrounding the column in the town's central square.
        	Schiphol Airport, The Netherlands.  Vertical, hanging, three-sided, tri-color LED display programmed with various texts in English for terminal stairwell area.
        	Site Santa Fe, Santa Fe, New Mexico.  12 mahogany benches with carved seats (various texts).
       		Toyota Municipal Museum of Art, Toyota, Japan.  Vertical, hanging, four sided, tri-color LED display programmed with  various texts in both Japanese and English.
        	US Court House and Federal Building, Allentown, PA.  14 granite benches inscribed with Truisms and Survival texts, placed in main entrance lobby and outside third and fourth floor court rooms. Worldwide Web project using Truisms texts in collaboration with ada' web, NY.

1994   		"The Black Garden", Nordhorn, Germany.  A 3/4 acre memorial garden design incorporating black flowers and foliage and sandstone benches inscribed with texts from the War series in English and German.

1993   		"Virtual Reality: An Emerging Medium", Guggenheim Museum, SoHo, NY. 2 interactive VR  projects.
        	"Lustmord" Sueddeutsche Zeitung Magazin, #46, Germany. 11/19, ill. (Gold Medal awards for both title and edition design from the Art Directors Club (ADC) of Germany.
            Awarded "Planet of Europe" by ADC of Europe.) 42nd Street Art Project. Sponsored by Creative Time, NY. Selections from Truisms and Survival Series on theater marquees.
        	Oesterreichisches Museum Fuer Angewandte Kunst, Vienna, Austria. Electronic signage for permanent collection display.
        	University of California, San Diego, CA, "Green Table," granite table with benches, 20 x 6 feet.