sounds and colors

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| arrangements |

>| read nota |<



http://home1.gte.net/triprart LOVE IT!
brian cook <triprart@gte.net>
long beach, CA USA - Tuesday, October 13, 1998 at 15:59:00 (EDT)
i really like the idea behind the arrangements project. i love projects with viewer participation. i would also like to say that adaweb is probably my favorite and most often visited site on the web. thanx.
Kyle Ruark Hoinville <FilthFury3@aol.com>
East Lansing, Mi USA - Monday, August 24, 1998 at 01:40:29 (EDT)
Great fun!!! Makes me feel great to great something what you can hear and see immidellatly, but it will take some time to found out how it works. Good luck and concratulations anna
anna <anstasia@xs4all.nl>
Amsterdem, nh Netherlands - Thursday, May 21, 1998 at 19:22:27 (EDT)
david--fabulous work! just listened to some philip glass today, wonderful pairing for my ears'n'eyes. am interested in how you made the selections of visual and verbal language/signs/symbols...chance, by chance?
diana black <dkblack@students.wisc.edu>
madison, wi USA - Monday, May 04, 1998 at 19:51:34 (EDT)
So glad to see how to make art animation with java
Olivier Pilastre <op@telcom.fr>
Paris, F - Thursday, April 23, 1998 at 08:52:56 (EDT)
I have been studying for a way to translate all notes into corresponding colors Currently, I am working on mapping out the piano keys. Please send comments and advice.
Christian T. Kocmick <kocmick@stratos.net>
Cleveland, OH USA - Tuesday, March 10, 1998 at 16:09:57 (EST)
I like the idea, it links into several other online composition events i have seen or heared of. I like this one, it is suitably evocative and visually interestin, but the instructions need serious editing. please give a clearer and more consise description of what the project is about and how to use it, or re-format it, it is so impossible to read. Loading time is not bad at all, but i don't understand where the artist is coming from here. Is this an excercise in interactivity, is it a musical investigation. It all seems a bit too banal, no spice, no effect. Wallpaper. Maybe |I'm missing the point, in fact i'm sure i am. Clearer instructions may help. I dont want ot be too condemnatory. It has interesting possibilities. Needs editing. good luck lots of love sauly
sauly <saul@netuk.co.uk>
london, uk - Sunday, February 01, 1998 at 13:55:20 (EST)
Can anyone tell what is going on?
Lonnie Guinn <LGuinn9075@aol.com>
Wallace, SC USA - Sunday, January 04, 1998 at 16:41:14 (EST)
Just arrived. Checking all this out...
Sharron <ShaBels@pacbell.net>
San Francisco, CA USA - Friday, December 12, 1997 at 17:55:48 (EST)
Very interesting. http://www.myk.ilc.or.jp/~fujii1
Hajime FUJII <fujii1@myk.ilc.or.jp>
Yokkaichi, Japan - Saturday, November 15, 1997 at 10:26:10 (EST)
This site is a fun site and I will probably be back to compose again!
Charlotte Ricker <charricker@mail2.theonramp.net>
Racine, WI USA - Friday, October 31, 1997 at 19:34:39 (EST)
Hello, Please tell me how you programmed your site? Was it with Flash 2? Michael mmmycool@aol.com
Michael Croog <mmmycool@aol.com>
Teaneck, NJ USA - Monday, October 20, 1997 at 12:12:41 (EDT)
Take me deeper into your void.
Jay Bird <BYRD49@AOL.COM>
Vicksburg, MI USA - Tuesday, October 07, 1997 at 19:12:36 (EDT)
This is very cryptic and somewhat frustrating. The navigation is not all intuitive. But this is what makes this creation so addictive and so much fun. Good job.
Paul Dexter <pdexter@gte.net>
Seattle, WA USA - Sunday, September 14, 1997 at 15:16:49 (EDT)
Your site takes to long to install componets !
dan Boscia <dab1130@aol.com>
pgh., Pa USA - Thursday, September 11, 1997 at 09:09:22 (EDT)
how do i change colors whan you wirte
jesse <rstaff@netusa1.net>
FRANKTON, ID USA - Saturday, August 09, 1997 at 18:07:31 (EDT)
Cool and Groovy
Michael Stone <director@photo.net.au>
Perth, Western Australia Australia - Wednesday, July 16, 1997 at 01:54:38 (EDT)
This is brilliant!!! I had a great time using your program!!
Laurie Ray <llr1@cornell.edu>
Ithaca, NY USA - Wednesday, June 18, 1997 at 09:46:08 (EDT)
Excellent. So clever and beautifully executed. I personnally work on correspondances between letters, numbers, colors and so on based on mystical judaism philosophy. Good to see such a search on the web. Go on, I want to see more. Best, astrid
astrid Delérins <ad216@is6.nyu.edu>
New York, NY USA - Wednesday, April 16, 1997 at 23:08:49 (EDT)
Congratulations! Your site has been named one of New York’s 50 Most Fun Sites by the editors of New York Now, http://www.nynow.com. We chose your site from among hundreds of sites we reviewed before making a selection. To be considered, a site had to have some New York connection – either be made here or be about the city or be of special interest to New Yorkers – and most of all, be fun. We have made a special icon to honor this group we’re calling the Fabulous Fifty, which you may link to or download from: http://www.nynow.com/toolkit/50fun/awardlogo.html Thanks for a terrific site. Sincerely yours, Bennett Voyles Features Producer New York Now
Bennett Voyles <bvoyles@nynow.com>
New York, USA - Friday, April 04, 1997 at 10:09:21 (EST)
Well, of course it's cool. Coooool coooool cooooooooool Surprising no more further feedback from PORT. Nevertheless I keep saying It's darn cool (So says my friend becca). When is it gonna be a world wide collage- I want to see what the folks in Tasmania Are doing with this... You know the world thing.
Sean P. Coon <spcoon@mindspring.com>
a place, NJ USA - Wednesday, March 19, 1997 at 21:21:19 (EST)
nicely done. couldn't figure it All out, but you're on to something. hope to be meeting you soon (perhaps Thursday?) with Jim Gasperini and Tennessee Rice Dixon. Jim Metzner
Jim Metzner <pulse@igc.org>
USA - Monday, March 10, 1997 at 12:21:07 (EST)
interactive text so far -tell me more. creative and forward clicking . vi gates
Hugh McHale Reed, Jr. <HMRCOM@Aol.com>
Dallas, TX USA - Saturday, March 08, 1997 at 03:55:51 (EST)
Wonderful!!
Seitaro Higashi <hivc@ba2.so-net.or.jp>
Tokyo, Japan - Thursday, February 27, 1997 at 00:07:54 (EST)
WHAT A COOL THING! I AM A DESIGNER AND I DID NOT THINK IT WAS POSSIBLE TO CREATE GOOD DESIGN FOR THE WEB. WHAT AN INSPIRATION.
MICHELLE METCALF <MRM@AMLIBS.COM>
OREM, UT USA - Wednesday, February 26, 1997 at 13:40:54 (EST)
I like the "Arrangements" site. I do, though, find the buttons and the arrangement of items to arrange a bit confusing, but maybe that's part of the fun of it. I wish the record function were longer, and that you could selectively delete just one item rather than keeping or clearing all of them at once. Thanks for making the site! I look forward to seeing the rest of it, and playing other people's compositions.
Karen <ace@mit.edu>
Cambridge, MA USA - Tuesday, February 25, 1997 at 15:31:09 (EST)
Toojoors aussi bien.
lo <eggz@worldnet.fr>
paris, france - Sunday, January 12, 1997 at 18:21:15 (EST)
so nice . I branche my computer on my sono to play with the sound. is there any history behind? japan? I look foward too to see some on the librairy; what a surprise. by.
eggz <eggz@worldnet.fr>
p, f - Monday, December 09, 1996 at 18:44:37 (EST)
Yeah! Full version? Quand !
Dave <drdave@untold.com>
nyc, ny USA - Sunday, December 08, 1996 at 13:50:36 (EST)
I had think of it all my day-work!
eegz <eggz@worldnet.com>
paris, fré'nce - Wednesday, December 04, 1996 at 18:28:53 (EST)
whach aq wonderfull world... Guy? Is it you? Bring back my eggs ,from the poulaillé. Man where is the klibery? Iwwwaqzqch it ondzzzz don't foundzzzz. yeah!
eggz <eggz@wolrdnet.com>
paris, fraince - Tuesday, December 03, 1996 at 18:44:04 (EST)
fun spent about twenty or thirty minutes. read the instructions. did one composition. the interface is sorta cryptic. still fun though. y'all into Merleau-Ponty?
Bruce Laplante <laplab@rpi.edu>
Delmar, NY USA - Sunday, December 01, 1996 at 14:55:41 (EST)
is this thing on? are we recording? i do love it. very random. but i am a little confused about waht its recoding exactly...
static <static@global2000.net>
Zyklonia, Zen La la la - Friday, November 29, 1996 at 20:16:53 (EST)
Great start guys! It's a wonderful idea but some things need to be made clearer. The alphabet seems unclear, ie, what alphabets are they and why is there only one letter available in each alphabet? I was hoping for a whole range of letters, not just one. The color chart works just dandy as does the sound. My play button kept disappearing as did the submit button. I kept instead, hitting the clear button as that was the only one that was showing up, thinking that I was gonna hear sounds. As a result, all my "work" was lost. Is there a way to include an "undo" button in case, like me, someone hits the wrong button? I LOVE the floating help palate. Loads quickly and looks gorgeous. Congrats! I look forward to seeing the full blown version. Kenny G.
Kenneth GOldsmith <kennyg@bway.net>
NY, NY USA - Wednesday, November 27, 1996 at 11:59:51 (EST)
The concept though ancient is very cool. There is an island in the Javanese Atoll peopled by a folk whose basic language is dance, emphasized and underscored by their music. They commonly associate sound with color in a way too elaborate to explain in a few sentences. But what you are working on here is genuinely refreshing and I encourage you to continue to press foward. A broader range of tonal sound would be wonderful to work with but perhaps that will come with time and experimentation. But for a beginning, Bravo! Maximillian
Maximillian Hull <mhull@idir.net>
Overland Park, KS USA - Thursday, November 21, 1996 at 01:45:53 (EST)
can you hear me?
helolo <helolo@world.gov>
USA - Monday, November 18, 1996 at 18:14:04 (EST)
I think that "Arrangements" is an intriguing work in progress. I agree with rich@westnet.com however, I do also agree that the sound is a little buggy. I believe that the refined piece will definitely be engaging f.f
forest dean feighner <forest@vivifly.com>
Phila, PA USA - Monday, November 18, 1996 at 04:35:49 (EST)
very New York-like. But then, it's good, because it's nothing like I've seen here in England. only problem I got, is how the ?uck do you navigate. and "whatdoesitallmean?". Inspirational and will definately pass on the url.
damien <damien@cityscape.co.uk>
cambridge, uk - Saturday, November 02, 1996 at 19:03:10 (EST)
A relatively engaging "composing piece". Was not able to understand instructions except after trial and error. Would like to see wider variety of visual choices. Did not understand how sound "attached" to objects. Bye and best.
Grayum Wells <wells@sirius.com>
SF, CA USA - Friday, November 01, 1996 at 01:51:13 (EST)
A relatively engaging "composing piece". Was not able to understand instructions except after trial and error. Would like to see wider variety of visual choices. Did not understand how sound "attached" to obects. Bye and best.
Grayum Wells <wells@sirius.com>
SF, CA USA - Friday, November 01, 1996 at 01:50:25 (EST)
I liked it. The interface is visually beautiful and very subtle. This subtlety was relected in the palette of symbols and sounds. It's simple -might I say it- intuitive interface made the required trial and error easy to deal with. The limited instructions were fine because I enjoyed the experience as a little exercise in discovery. I see some worthwhile uses for expanded versions of something like this. A tool for creative expression, art therapy. Wish I had more time to play with it.
rich de sanctis <rich@westnet.com>
USA - Friday, October 25, 1996 at 13:50:56 (EDT)
testing
viv <viv@panix.com>
ny, ny USA - Friday, October 25, 1996 at 09:31:51 (EDT)
yeah !
viv <viv@panix.com>
new york, ny USA - Thursday, October 24, 1996 at 15:28:54 (EDT)